Spectral Time – Transforms sound into partials and feeds them into a frequency- based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects.The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument. Spectral Resonator – Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways.Hybrid Reverb – Combines convolution and algorithmic reverbs, making it possible to create effects from accurate real-world environments to those that defy physical reality.You can now control parameters per note for these devices, as MPE-capable native devices – Wavetable, Sampler and Arpeggiator have been updated.Expression View (above) – You can now edit the pitch, slide and pressure envelopes of each note to refine the expression of takes or do sound design in new ways by sequencing polyphonic sound variations.MPE support – Lets you add bends, slides and pressure for each individual note in a chord, add subtle expression variations, morph between chords and create evolving sonic textures more easily.Linked-track editing – Link two or more tracks to edit their content simultaneously.Comping can also be used as a fun way to explore sound and the sound design process. The best parts of these takes can then be stitched together for the desired final result. Comping – Live automatically organizes multiple passes of an audio or MIDI performance into individual takes.Live 11 introduces a huge array of new features, including flexible comping tools, support for expressive performance with the MPE standard, new devices, creative randomization options, live tempo follow, new sound libraries and more. Ableton today announced Live 11, a massive update to the popular music creation and performance software.
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